NUZM designs logos and brand identities, interfaces for websites and apps, social media and print artwork, and the presentation and document templates a business uses every week. Every project is delivered with its editable source files, in your ownership, in the formats you will actually be asked for.
Why the file formats matter more than they sound
A logo supplied only as a PNG is a logo you cannot put on a signboard, embroider on a uniform, or print at any size larger than the one it was exported at. Businesses usually discover this in the week they need the signboard, and the original designer is usually unreachable by then.
Identity work here is handed over as vector files, which can be scaled to any size without loss, alongside the everyday exports:
| You receive | What it is for |
|---|---|
| AI or SVG vector master | Printing at any size, signage, embroidery, future edits |
| PNG with transparency | Websites, documents, slides |
| JPG | Anywhere transparency is not supported |
| Full colour, single colour and reversed versions | Dark backgrounds, one-colour printing, stamps and faxes |
| The font names and where they are licensed from | So the next person can match it without guessing |
How a design project runs
Direction is agreed before detail. You see a small number of distinct routes rather than twenty variations of one idea, one is chosen, and refinement happens inside that choice. Two rounds of revision sit inside each stage. The order is what keeps revisions cheap: it is inexpensive to change a layout and expensive to change a concept after a layout has been built on it.
What we design
Logo and brand identity
A mark that works small, in one colour and on a dark background, with the colour and type rules written down so it survives the next person who uses it.
Website and app interfaces
Screens designed against real content and real screen sizes, so what is approved is what can actually be built.
Social media artwork
Post and story templates your own team can fill in, rather than a design request every time something needs posting.
Print and packaging
Files prepared the way a press expects them: correct colour mode, bleed and resolution, checked before they cost you a print run.
Presentations and documents
Branded templates for proposals, reports and decks, built so the formatting holds when somebody else types into them.
Brand guidelines
A short document covering colour, type, spacing and misuse. Long enough to settle arguments, short enough that people read it.
Files, revisions and ownership
Do we get the design source files?
Yes. Logo work is delivered as vector files (AI or SVG) alongside PNG and JPG exports, in full colour, single colour and reversed versions, with the fonts named. A logo you only have as a PNG is a logo you cannot print, and that is a problem you discover at the worst moment.
How many revisions are included?
Two rounds inside each design stage. In practice the number matters less than the order: direction is agreed before detail, so revisions correct a layout rather than restart a concept. Additional rounds are quoted rather than absorbed, which keeps the first quote honest.
What happens if the scope changes halfway?
It gets written down and priced before it is built. A change is quoted as its own small piece of work with its own effect on the timeline, and nothing starts until you approve it. Silent scope growth is the most common reason fixed-price projects turn adversarial, so it is handled in writing every time.
Who owns the code and the accounts?
You do, on final payment. That includes the source code, the repository, the domain, the hosting account and every third-party account created for the project. Handover is a step in the project, not a favour asked for afterwards.
Show us what you have now
A logo, a website, or a competitor you like the look of is enough to start. You get a scope and a fixed price.